In this process, I use couture pieces taken from big canvas, supports of needle works. I transform original embroidery pieces made with diagonal points into images in order to tale stories. A child chair, African masks, a trunk, suitcases or other old objects are enveloped with the canvas which creates emotional and memorial links between images and narrations. The trail of significations is rich. The viewer is staggered and involved in a tale through objects of souvenirs.

The intention here is to create a dialogue with our grandmother's needle works, those who were conceptualised by the industry and can be considered as a metonymy of the XXth century. This contemporary appropriation is done by the work of the cutoff which allows the reinterpretation and the metaphore.